![]() You can start to build some fluency and new vocabulary by isolating parts of the beat this way. Keith Jarretts 1999 release The Melody at Night, With You.56 Although these. (It took me years to learn this lesson, but once I started focusing more deeply on a smaller number of things that I thought I already knew, my playing really took off.)Īs for getting out a rut rhythmically, something I've messed with is to take a simple static chord and try to play lines starting on a specific beat or part of a bar (& of 3, for example). If you can, great! But if you can't, maybe you need to be more honest with yourself about what it means to have truly mastered a given concept. Most people seriously underestimate how many reps it takes to truly "know" something to the extent that it's in your muscle memory and you can improvise with it freely.įor example, those Bill Evans voicings - sure you know how to construct them, but are they really at the tips of your fingers? Can you play that minor voicing in every key all around the circle of fifths at 100 bpm? What about in whole steps? Chromatically? Fourths?įor scales, can you play them in thirds? Triads? Seventh chord arpeggios? Can you do it without thinking? That, surely, will change in time, but for now there are a wide range of individual transcriptions out there which cover many of his most acclaimed solos. ![]() One thing that I've noticed a lot of people struggle with (myself included) is that there is a world of difference between knowing something in a theory sense vs knowing it deeply inside and out. Keith Jarrett Transcriptions Inexplicably, there is no in-depth collection of Keith Jarrett transcriptions out there at the moment.
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